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new release on green!
joris voorn & edwin oosterwal’s green imprint is probably best known for it’s modern classics ‘blank’ and ‘mpx309’. now they return with another classic: dosem’s beach kisses. 2008 saw the first release of the original ‘beach kisses’ on the ‘neue larmklassiker’ label. heavily supported by a wide range of dj’s, it was picked and edited by joris voorn to feature on his excellent ‘balance’ compilation. with voorn being such a huge fan of the track, it made sense for him to pick it up for ‘green’. so today, we bring ‘beach kisses’ the joris voorn green mix. powerful synth’s are the order of the day on this euphoric masterpiece. on the flip dosem has provided us with his own new edit under his ’sendo’ guise. an atmospheric delight. and keep your ears and eyes peeled for the upcoming album ‘niwa’ on green from swiss sensation ripperton!
CCTV
shapes of sound
stumbled upon this flyer book in rotterdam and discovered there was this old piece of history in it…
invaders no.1
scaffolding building
City Nature
videotest
Heavens Lunchroom
Urbaines
spotted this poster in geneva - so basic, still exciting. 
from a deep place
Joris Voorn’s second album sounds like it could have been made at any stage over the past fifteen years, but that doesn’t make it a classic. The opening salvo is promising – ‘Revolution’, ‘A Thousand Lost Souls’ and ‘To Embody’ fall pleasingly – and as you might expect - somewhere between Kenny Larkin and Funk D’Void: deep, atmospheric, emotive techno. Exactly what Voorn has built his (deserved) reputation on. But at the end of the dreamy ‘To Embody’, alarm bells start ringing, right after the appearance of the dreaded chimes – a staple in the world of irritating jazz and sure sign that self-indulgence can’t be that far away. And it isn’t.Full review at R & A
visual
-Permanent Collection
-Desktop to gallery